James Ronald Ruel Tolkien was an English scholar with a particular interest in Anglo-Saxon languages ​​and legends and philology. He wrote a lovely children’s book, The Hobbit, then a larger work of fantasy, The Lord of the Rings, which has been unleashed into a world freshly brought to life by the new and unfamiliar scents of marijuana smoke and patchouli oil.

Hippies loved the book and his son Christopher loved the money he bought.

And so The Lord of the Rings exists on two levels. There’s the crass publicity, best represented by the heinous Peter Jackson movies, and the hippy-dippy.

Hippies, of course, all wanted to open their minds to new areas of possibility. Sadly, a small subset still obsessed with Tolkein and clearly still fond of a few whiffs – if not something stronger – took their job and firmly plunged Middle-earth into Wokeworld.

What else can we do with these sessions offered during the Northern Weekend at the Tolkien Society Summer Seminar?

  • Gondor in Transition: A Brief Introduction to Transgender Realities in The Lord of the Rings
  • The Invisible Other: Tolkien’s Dwarf Women and the “Feminine Lack”
  • The Problem of Pain: Representation of Physical Disability in JRR Tolkien’s Fantasy
  • ‘The Burned Hand Teaches Most About Fire’: Applying Traumatic Stress and Ecological Frameworks to Tolkien’s Tales of Displacement and Resettlement Across Cultures in Middle-earth
  • The Lossoth: indigeneity, identity and anti-racism
  • Queer Atheists, Agnostics and Animists, Oh My God!
  • “Something Mighty Queer”: destabilizing Cishetero’s amatonormativity in Tolkien’s works
  • Forgive Saruman? : Tolkien’s Queer The Lord of the Rings.

As late as last Friday, when an article appeared in The Guardian with the headline “Future Lord of the Rings Movies Should Acknowledge the Book’s queer leanings,” we thought it was right The Guardian being The Guardian. We are now corrected.

Those familiar with Tolkiens’ work will know that the Elves always leave Middle-earth, sailing, sailing west.

Now we know why. They are desperate to escape these absurd interpretations of their house.



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